JoLMA. Vol. 5, n. 1 - Giugno 2024
Description
The Art of Mapping Between Land and Mind
Table of Contents:
Mapmaking and Cartography as Philosophical Matters. An Introduction
Francesco Ragazzi
Semiotics After Geontopower
Some Preliminary Thoughts
Elizabeth Povinelli
Maps and the Epistemic Risks of Visual Representation
Quill Kukla
How Much Geography in Kant’s Critical Project?
Marco Costantini
Ryle’s Conceptual Cartography
A Brief Introduction
Julia Tanney
Mappers, Mapmakers, and Cartographers and Where to Find Them in Contemporary Art (a Modest Proposal)
Marcello Tanca
Dáiddakárta
Cartography in Contemporary Sápmi Art Practices
Elin Haugdal
Mapping a Blank Spot and Making Empty Spaces
Geographic and Cartographic Ontology in Italian Topographic Mapping of the Southern Libyan Desert in the 1930s
Zsolt Török
Territorial Images of Yorùbáland
Cartographic Styles and Symbolic Representation in the Mid-Nineteenth Century
BABATUNDE OGUNDIWIN
The Strait and the Sea
Unsettling Scores
Tarek Elhaik
The World as Allegory in Cartography
Symbolic and allegorical reference systems in the aesthetics of digital cartography
Philipp Tschochohei
A View From Above
Vertical Perspective in the Age of Total Images
Domenico Quaranta
Mural and Landscape Painting Revisited
The Art of Mapping the Digital Technosphere
Christian Keller
The Evergrowing Map
A Fluid Account on Cartography
Paolo Bosca
Biston betularia carbonaria
Repopulating Maps with Climate Monsters
Antonio Ianniello
People
Università Ca’ Foscari Venezia - Dipartimento di Filosofia e Beni Culturali (Editor)
Ragazzi, Francesco (Editor)
Publisher:
Edizioni Ca’ Foscari - Venice University PressDate:
2024Format
application/pdf (40.01 MB)
Subject
• Climate-change • Ocean • Geography • Hyperobjects • Mind • Monsters • Marine ecology • Nelson Goodman • Philosophy • Race • Sea • Territory • Physical Geography • Digitalisation • Logic • Yorùbáland • Mapping • Allegory • Contemporary art • Mapping processes • Systematic ambiguity • Walter Benjamin • Immanuel Kant • Geographic ontology • Drone photography • Fluidity • Scopic regime • Conceptual analysis • Counter-mapping • Sound • Strait • Michel Serres • Blank spot • Aesthetics in Science • Digital • Maps • Epistemology • Indigenous cartography • Recording • Category-mistake • Worlding • Italian colonial cartography • Geographic Information Systems • Cartographic Styles • System • Transcendental illusion • Clouds • Epistemic Risk • Conceptual cartography • Cetaceans • Map • Cartography • Vertical perspective • Surveillance technologies • Art • Machine gaze • Geontopower • Representational Risk • Semiotics • Libyan Desert • Settler Colonialism • Symbol • Sámi Art • Topographic mapping • Spatiality • Symbolic Representation • Eco-dystopia • Palimpsest • Ecology • Ryle • Iconology • Biston betularia carbonaria • Hans Ragnar Mathisen
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