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A Driving Force. On the Rhetoric of Images and Power

A Driving Force. On the Rhetoric of Images and Power

Descrizione

The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power.
In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real.
Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter.
This process turned the artist into a demiurge.
Furthermore, once images are given their final form, they circulate and live a life of their own.
The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere.
The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”.
In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations.

Persone


Bertoli, Angelica (Curatore)
Gelmi, Giulia (Curatore)
Missagia, Andrea (Curatore)
Tavano, Maria Novella (Curatore)

Editore:

Edizioni Ca’ Foscari - Venice University Press

Data:

2023

Formato


application/pdf (25.32 MB)

Soggetto


• Religious submission • Autotheory • Public sphere • Design • Visual identity • Kustar • Power • Speculative design • Geographical personifications • Surveillance • Countersurveillance Fashion • Labour of love • Holbein • Countersurveillance fashion • Cittadini originari • Our Lady of Kodeń • Poor power Images • Authority • Russian Empire • Dissidence • Salon dʼAutomne • <p>Kustar • Wearable technologies • Post-representation • Venice • Crossmapping • John V Palaiologos • Rhetoric • Saint George • Italy • Power representation • National image • Painted facade • Distorted portrait • Gaze • Sixteenth-century Italian art • Polish-Lithuanian Commonwealth • Un’Ambigua Utopia • Macedonia • Poor power images • Neoliberal imaginary • Semiology • Optic Nerve • Beirut • Feminist art • Lebanon • Byzantine empire • The Peggy Guggenheim Collection • Melodrama • Revolutionary festival • Decoloniality • Power of the images • Sursock Museum • Scuole Grandi • Symbols • French Revolution • Politics • Wood • Contemporary art • Technology • Metaphor • Image and power • Image • Propaganda • Latin faith • Arts and crafts • Post-Representation • Portrait de la jeune fille en feu • Byzantine Empire • Palazzo Madama, Torino • Drone • Aby Warburg • New Media Installation Art • Renaissance • Postcolonialism • Iconography • Fascism • Visual Culture • Political iconography • A/traverso • New Formalism • Historiographical bias • Byzantine sculpture • Occupational realism • New media installation art • Political iconology • Exhibition • Salon d'Automne • The Bureau of Melodramatic Research • Alternative press • Folklore • Russian style • Sex • Palaiologan Renaissance • Arts • Speculative Design • Sapieha family • Nicolas Ibrahim Sursock • Jan Fryderyk Sapieha • Allegory • Lucerne • General intellect • Modern Art History • Vittorio Viale • Image theory • Paraesthetics • Warfare • Pietro Aretino • Portrait de la jeune fille en few • Coronation of Miraculous Images • Kodeń • Directory • Gendered bodies • Materialism • Socially engaged art • Second Post War Period • Venice Biennale • Visual culture • Modern art history

Lingua:

Inglese

Fonti


• A Driving Force. Venezia, Edizioni Ca’ Foscari - Venice University Press, 2023-12-22, 350 p.

Diritti:

Licenza Creative Commons
Quest'opera è distribuita con Licenza Creative Commons CC BY 4.0.

Ente o persona di riferimento:

Edizioni Ca' Foscari