JoLMA. Vol. 3, n. 2 - Dicembre 2022
Descrizione
Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
Sommario:
Ι – TRANSLATION AS INTERPRETATION
Introduction – Translation as Interpretation
Francesco Camera, Gian Luigi Paltrinieri
Translation as the Mirror Image of Hermeneutics
Carla Canullo
Heidegger and the Problem of Translating the Greek Beginning
Marco Cavazza
In the Workshop of the Translator
Walter Benjamin in/on Translation
Maria Teresa Costa
“Wie eine Äolsharfe vom Winde berührt”
Translation in Walter Benjamin’s Early Writings
Massimiliano De Villa
Translation as a Test for the Explicit-Implicit Distinction
Francesca Ervas
Interpretation as Translation
A Gadamerian Perspective
Eliane Laverdure
The Limits and Cognitive Resources of Translating
On Paul Ricoeur’s Hermeneutics
Edoardo Simonotti
ΙΙ – ON JOSEPH MARGOLIS’ AESTHETICS. A SYMPOSIUM
Introduction – On Joseph Margolis’ Aesthetics. A Symposium
Alessandro Cavazzana
Art, Artifacts, and Margolis’ Recovery of Objectivity
David Hildebrand
Why Joseph Margolis Has Never Been an Analytic Philosopher of Art
Roberta Dreon, Francesco Ragazzi
Margolis, Historicism, and the History of Aesthetics
Russell Pryba
Persone
Università Ca’ Foscari Venezia - Department of Philosophy and Cultural Heritage (Curatore)
Paltrinieri, Gian Luigi (Curatore)
Camera, Francesco (Curatore)
Cavazzana, Alessandro (Curatore)
Editore:
Edizioni Ca’ Foscari - Venice University PressData:
2022Formato
application/pdf (3.73 MB)
Soggetto
• Joseph Margolis • Truth • Difference • Explicatures • Gadamer • Pragmatism • Knowledge • Linguistic Hospitality • Time-Space • Anfang • Translation’s theory • Hermeneutics • Cultural emergence • Mediation • Target language • Pluralism • Recognition • Language • Relativism • Walter Benjamin • Interpretation • German Romanticism • Paul Ricoeur • Heidegger • Type-token • Ambiguity • Lexical Pragmatics • Kripke • Untranslatable • Beiträge • Definition of art • Philosophy of art • Compromise • Margolis • Objectivity • Source language • Intentionality • Hegel • Messianism • Implicatures • Aesthetics • Historicism • Luigi Pareyson • Ontology of art • Pragmatic objectivity • Translation • Hybridisation • Plurality • History of aesthetics • Philosophy • Translation’s practice • Definite Descriptions • Dewey