Sacré et profane dans deux cathédrales du XIIe siècle. Le contexte culturel de l’'Artus' de Modène et du 'Roland' de Vérone

Sacré et profane dans deux cathédrales du XIIe siècle. Le contexte culturel de l’'Artus' de Modène et du 'Roland' de Vérone

Descrizione

Following a short review of the interpretations of two sculptures unique to Romanesque art in Northern Italy (King Arthur on the northern gate of the Duomo in Modena, and Roland on the facade of the Verona Duomo), the A. observes that these themes are not necessarily rare for the region.
His inventory then takes into account other secular representations in a religious or secular context, including the legendary corpus of Dietrich poems. The A. concludes that the presence of the two literary heroes on the two Italian churches is due to the internationalization of French literature, which makes no strict distinction between biblical subjects and fiction.

Persone

Agrigoroaei, Vladimir (Autore)

Editore:

Dipartimento di Studi Linguistici e Letterari dell'Università degli sudi di Padova

Data:

2018

Formato

application/pdf (11.08 MB)

Soggetto

• Dewey Decimal Classification -- The arts; fine & decorative arts (700) -- Plastic arts; sculpture (730) -- Sculpture from ca. 500 to 1399 (734)

Lingua:

Francese

Fonti

• Agrigoroaei, Vladimir , Sacré et profane dans deux cathédrales du XIIe siècle. Le contexte culturel de l’'Artus' de Modène et du 'Roland' de Vérone. Padova, Dipartimento di Studi Linguistici e Letterari dell'Università degli sudi di Padova.

Diritti:

Quest'opera è distribuita con Licenza Creative Commons CC BY-NC 4.0.

Ente o persona di riferimento:

Università di Padova - Biblioteca Maldura

PHAIDRA – Collezioni digitali