PHAIDRA – Collezioni digitali

Sommario / Table of Contents:

SECTION 1. ADAPTATIONS, ESPECIALLY (BUT NOT ONLY) IN CINEMA

What Isn’t a Cross-Cultural Adaptation, and, If You Know That, Then What Isn’t a Cross-cultural Text?
Thomas Leitch

‘#DifferenceMakesUs’: Selling Shakespeare Online (and the Commerce Platform Etsy)
Anna Blackwell

Narrative Suspense in Edgar Allan Poe and Alfred Hitchcock
Elaine Indrusiak

Film Adaptation as the Art of Expansion
The Visual Poetics of Marleen Gorris’ Mrs. Dalloway
Polina Rybina

Adapting Shakespeare Around the Globe
The Construction of Otherness and its Ideological Stakes in the Films O and Omkara
Andrei Nae

Re-run and Re-read
Tom McCarthy’s Remainder as an Archeology of the Present
Alessandra Violi

SECTION 2. PASSIONS, EMOTIONS AND COGNITION IN EIGHTEENTH-CENTURY LITERATURE (PART 2)

The Fear of Laughter in Restoration Prose Fiction
Jorge Figueroa-Dorrego

Frances Greville’s A Prayer for Indifference
The Limits of Sentiment
Karin Kukkonen

Isaac Watts’s Hymnody as a Guide for the Passions
Daniel Johnson

Passionate Educations
John Locke, Aphra Behn, and Jane Austen
Aleksondra Hultquist

The Literature of Fear in Britain
Coleridge’s Fears in Solitude and the French Invasion of Fishguard in 1797
Ildiko Csengei